UPC: 017627102420
Format: CD
Release Date: Sep 01, 1993
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Personnel: Keith Green (vocals, piano, Fender Rhodes piano, background vocals); Mike Deasy Sr. , Hadley Hockensmith (guitar, acoustic guitar, electric guitar); Jay Leach (acoustic guitar); Harlan Rogers (Fender Rhodes piano, organ); Bill Maxwell (drums, tambourine, percussion); Lee Pastora (congas, triangle); James Felix (background vocals).
Audio Mixer: Peter Granet.
Liner Note Author: Keith Green.
Recording information: Sound Castle Studio, Los Angeles, CA.
Photographer: Gary Heery.
Say what you like about Keith Green. Say he's an activist. Say he's a crazy, wild-eyed prophet like Ezekiel of long ago. No one can argue that he was not passionate about what he did, especially in the area of making great music using top session musicians. The credits on this record look like a "Who's Who" in jazz -- Hadley Hockensmith on guitar, Abraham Laboriel on bass, Tommy Funderburk on choral arrangements. In everything he did, Keith Green was all about integrity. Songs themselves capture his earnest spirit. Notable on this is his searing "Asleep in the Light," pointing a finger right back at the church for its hypocrisy and lack of compassion. He is not a spectacular technical performer on the piano, but his playing is always full of energy and is enjoyable in its own right for that reason. For example, "Dear John Letter (To the Devil)" is not an especially good song lyrically or musically, but Green's delivery alone makes you laugh out loud. Another high point here is a short little interlude called "My Eyes Are Dry," where Green is practically weeping through his singing. Passionate, sincere, and energetic; this record delivers a refreshing taste of a era now nearly forgotten. ~ Mark W. B. Allender
Audio Mixer: Peter Granet.
Liner Note Author: Keith Green.
Recording information: Sound Castle Studio, Los Angeles, CA.
Photographer: Gary Heery.
Say what you like about Keith Green. Say he's an activist. Say he's a crazy, wild-eyed prophet like Ezekiel of long ago. No one can argue that he was not passionate about what he did, especially in the area of making great music using top session musicians. The credits on this record look like a "Who's Who" in jazz -- Hadley Hockensmith on guitar, Abraham Laboriel on bass, Tommy Funderburk on choral arrangements. In everything he did, Keith Green was all about integrity. Songs themselves capture his earnest spirit. Notable on this is his searing "Asleep in the Light," pointing a finger right back at the church for its hypocrisy and lack of compassion. He is not a spectacular technical performer on the piano, but his playing is always full of energy and is enjoyable in its own right for that reason. For example, "Dear John Letter (To the Devil)" is not an especially good song lyrically or musically, but Green's delivery alone makes you laugh out loud. Another high point here is a short little interlude called "My Eyes Are Dry," where Green is practically weeping through his singing. Passionate, sincere, and energetic; this record delivers a refreshing taste of a era now nearly forgotten. ~ Mark W. B. Allender
Tracks:
1 - Soften Your Heart
2 - Make My Life a Prayer to You
3 - Dear John Letter (To the Devil)
4 - How Can They Live Without Jesus?
5 - Asleep in the Light
6 - My Eyes Are Dry
7 - You!
8 - I Don't Wanna Fall Away From You
9 - Stained Glass
10 - To Obey Is Better Than Sacrifice
11 - Victor
12 - Altar Call
2 - Make My Life a Prayer to You
3 - Dear John Letter (To the Devil)
4 - How Can They Live Without Jesus?
5 - Asleep in the Light
6 - My Eyes Are Dry
7 - You!
8 - I Don't Wanna Fall Away From You
9 - Stained Glass
10 - To Obey Is Better Than Sacrifice
11 - Victor
12 - Altar Call